“It’s just a really beautiful song,” says Gunn. Both happen to be two of my favorite songs from the Seventies.” And the other one is ‘Brandy,’ which is an incredibly important song in the movie.
“‘The Chain’ is one because it is about the Guardians, at least in the way we use it, and we use it a couple of times in the movie. “There are two songs that are the most deeply embedded into the fibers of the film,” says Gunn. Louis and Chicago, so a lot of people don’t know it, but it is truly one of the catchiest songs ever written, and I knew that there were a thousand places that I could’ve used it easily in Guardians because it’s so easy to fit into the movie.” “It was a regional hit and only in, like, St. “‘Lake Shore Drive’ is a song that I grew up with,” says Gunn. “Lake Shore Drive,” Aliotta Haynes Jeremiah “Fox on the Run” is a trailer-only song that doesn’t actually appear in the film, much like “Spirit in the Sky” from the first soundtrack LP.ģ. But in the end, Gunn says, “I think we made him an offer he couldn’t refuse.” We had to really fight to get the song, and I personally appealed to Jeff Lynne.” Lynne had previously approved a song for the first Guardians that Gunn ended up cutting, which made the process harder this time. Blue Sky’ is one of my favorite songs by them. “I’ve always said that if the Guardians had a house band, it would be ELO,” says Gunn, “and ‘Mr. He said the only song he got sick of was ‘The Piña Colada Song.’ ”ġ. “Chris Pratt listened to the first album hundreds of times.
Blue Sky” yet again while supervising the film’s sound mix. “The weird thing is, I’ve never gotten sick of a Guardians song,” says Gunn, fresh from hearing “Mr.
Gunn himself has had to listen to the movies’ songs over and over – but he doesn’t mind. And falling in love with an alien is right up there in Meredith Quill’s alley. She’s a very quirky, young girl who fell in love with, you know, as it ends up, an alien. “If it’s something that’s thought of as goofy and pop, she likes it. “She’s a music lover, but she’s completely not elitist,” he says. The songs have always been a way of representing Peter Quill’s mom, Meredith, in the movies, and Gunn has a pretty good sense of her. “One of the most exciting things,” he says, “was knowing I would be making bands that may have been forgotten suddenly be a topic of conversation.” There are, again, plenty of deep cuts on hand, and Gunn (who once played in a band of his own, the Icons) relished the chance to expose the likes of Jay and the Americans’ “Come a Little Bit Closer” – or a true obscurity like 1976’s “Wham Bam Shang-A-Lang,” by one-hit-wonder Silver – to the Marvel-loving masses.